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Tips on creating healthy nutrition habits at home

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Photo by Ella Olsson on Unsplash.

By: Rebecca Lee Salazar
University of Texas

If you’re struggling with meal planning and eating healthy right now, you’re not alone. While trying to avoid grocery stores, you may be ordering more take-out than usual or reaching for snacks you normally would not eat due to stress or because healthier choices are not available. It’s completely OK and understandable to cut yourself some slack, but it’s also important to make sure you are getting enough nutrients to support yourself.

“Our bodies need to be nourished to fight infection and disease,” said Marissa Epstein, director of the UT Nutrition Institute. “A team of nutrients in foods work interdependently to strengthen our immune response when our bodies are defending against infection.”

Epstein says the first step in incorporating a more nutritious diet at home is reframing your attitude toward healthy eating by remembering all of your favorite healthy foods that make you happy and feel good. Creating these positive associations can help take off some of the stress around healthy eating — making it feel less intimidating and demanding.

We asked Epstein to share some healthy nutrition tips to inspire our current meal planning.

1. Set a schedule.

You should be taking a break and eating every three to four hours based on your hunger cues — starting with breakfast. Add an appointment on your calendar or set an alarm on your phone to remind yourself when to take snack and meal breaks.

2. Shop wisely.

Grocery shopping is serious business. You need a plan that will get you in and out as quickly as possible with food that lasts until your next trip. The best strategy for this is to make a grocery list. Have some backup food options just in case stores run out of your favorite items. If you’re ordering through a curbside pickup service, check your order against your list to make sure you didn’t miss anything.

3. Separate food and work.

Avoid setting up your home office in a place where your kitchen is in plain sight. It’s easy to gaze over your laptop straight into a pantry of snacks, so try your best to avoid the environmental cues tempting you to eat when you’re not hungry. Plan to eat when it’s time to eat and work when it’s time to work. Separating these two activities will help you enjoy your meals more and prevent you from snacking because of stress or boredom.

4. Stay hydrated with food.

Keeping a glass of water at your workstation is a good practice, but drinking water isn’t the only way your body stays hydrated. When you eat foods with high water content such as frozen or fresh fruits and vegetables, your body breaks down the water trapped inside the plant fibers. That water is released into your body slowly — keeping you hydrated for an extended period.

5. Use caffeine strategically.

Caffeine is a diuretic and an appetite suppressant, so it can cause dehydration and mask your natural hunger cues. If you neglect your body’s natural cues and don’t eat food while drinking coffee, you may end up with a dramatic drop in energy later in the day. Avoid the afternoon slump with a morning cup of coffee followed by an energizing lunch. Switch to your favorite caffeine-free tea in the afternoon.

6. Eat to support your brain’s performance.

With your mental energy being pulled in different directions, it’s important to nourish your brain for better cognitive function. Your brain prefers glucose to stay energized, so try to incorporate complex carbohydrates into every meal to break down glucose slowly throughout your day. Optimize your brain function by adding omega-3 fatty acids, which are found in fish, nuts and seeds. And don’t forget to take a walk outside for at least 10 minutes a day so you can activate vitamin D in your body and support your mental health.

7. Make meals a shared experience.

Research shows that home-cooked meals tend to be healthier than other options. Set some time away from work to meet in the kitchen with family members or roommates to cook a meal. If you live alone, cook the same meal with a friend over a video call. By reframing dinner as a shared experience, you can turn a chore into a way to spend time with those you love.

Creating healthy nutrition habits can be challenging under the most normal circumstances, so meet your needs where they are and do what you can to keep yourself and your family healthy and safe.

For whiskey, the proof is in the taste, says Texas A&M student

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Rob Arnold, head distiller at Firestone & Robertson Distillery in Fort Worth and doctoral student in Dr. Seth Murray’s corn breeding program at Texas A&M.

By Keith Randall
Texas A&M University Division of Marketing & Communication

Many bourbon drinkers may not know it, but corn is the key ingredient in their favorite drink. What grapes are to wine, corn is to bourbon whiskey.

So a few years ago, Texas A&M University doctoral student Rob Arnold had a eureka moment: If you improved the taste of the corn, would it mean a better tasting bourbon? He believes he is close to an answer.

Arnold has been studying how different hybrids of corn and their genetic makeup can affect the taste of whiskey. Since American Prohibition, distillers have mostly used whatever corn was available, and that usually meant using common yellow dent corn, the same type that in recent decades is used primarily for animal feed and even ethanol for cars. These common yellow dent varieties are relatively similar genetically, and they have been bred for yield, not flavor.

Arnold looked at winemakers as an example. There are more than 10,000 types of grapes used to make wines, and thousands of corn varieties, so why aren’t whiskey distillers more selective with their corn?

“The more I looked at it, something was not right,” he said. “Using only yellow dent corn to make whiskey is like asking a winemaker to make wine using only red Concord grapes. It didn’t make any sense.”

Arnold said there are four traditional ingredients used in making bourbon whiskey – rye, barley, wheat and corn, with corn being the biggie far. By law, bourbon whiskey must contain at least 51 percent corn, but most major brands contain at least 65 to 80 percent of corn in their product.

For the past three years, he has been screening Texas A&M-developed corn varieties. He and his colleagues have narrowed it down to three hybrids that provide similar — they believe even better — yields as commercial yellow corn hybrids, but with more unique and diverse flavors.

Arnold, a Kentucky native, has degrees from the University of Tennessee and UT Southwestern Medical School and has been pursuing his Ph.D. in plant breeding at Texas A&M under the supervision of Seth Murray, Texas A&M professor and the Butler Chair for Corn Breeding and Genetics.

“Texas A&M was the first and only school to offer a distance Ph.D. in plant breeding, and it is perfect for students like Rob who have full-time jobs but also thirst for new knowledge and expertise to build into their careers,” Murray said.

“Thanks to the vision of the Texas Corn Producers Board, USDA-NIFA and Texas A&M AgriLife Research, we have one of the last public sector corn breeding programs in the United States,” Murray added. “Working with Rob has allowed us to leverage exciting new varieties developed to help Texas farmers to also add value to new industries and help give consumers something they want – better tasting whiskey.”

Arnold has been growing and testing the three Texas A&M hybrids at Sawyer Farms in Hillsboro, and the entire project is entering its fifth year.

By 2022, Arnold expects his distillery to stop using the commercial yellow dent corn variety they currently grow and move solely to one or more of the Texas A&M hybrids. The project is funded by the Fort Worth-based Firestone & Robertson Distilling Company, makers of TX Whiskey.

“Rob is an outstanding scientist, distiller and student, and between publishing a book on the science of whiskey and the first peer-reviewed journal article on corn whiskey, he is the world leader in this area,” Murray said.

There is proof, so to speak, that whiskey has been around a lot longer than many people think – it was first mentioned more than 2,000 years ago in ancient scrolls. In 1494 books in Scotland first used the term “whiskey” and fast forward to 1775 when whiskey was actually used as a form of currency in the Revolutionary War. From 1791-1794 the famous “Whiskey Rebellion” occurred when farmers protested against high grain prices. In 1820 Scottish grocer John Walker started his own brand which became wildly popular and everyone loved its taste – except Walker himself who ironically was a non-drinker.

Arnold, who became the first master distiller at F&R Distilling Company in 2011, cites the useful help of Sawyer Farms, Ale Ochoa of F&R and Jake Pekar, another Texas A&M doctoral student who will be graduating soon, as being keys to success so far. And he’s glad his long journey is nearing the end.

“It’s been fun and interesting, and I think we’re on the right track for discovering new and forgotten flavors in whiskey,” he said.

Hollywood backdrops, rescued from obscurity, become a teaching tool at UT

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By Saba Rahimian
University of Texas

Texas Performing Arts and the College of Fine Arts acquired dozens of classic Hollywood backdrops from J.C. Backings. These massive pieces of art are now used to teach students painting techniques.

Humphrey Bogart and Ingrid Bergman fall in love while driving along the Champs-Élysées in the film “Casablanca.” Judy Garland skips through a land she finds over the rainbow in “The Wizard of Oz.” Clark Gable walks away from Vivien Leigh into a distant Southern horizon in “Gone With the Wind.” 

Except none of these actors and actresses was where he or she seemed to be. They were moving, loving and vanishing in front of backdrops painted during the golden age of Hollywood film in the early to mid-1900s. The artists who created these works emulated the highest standards of classical painting and realized specific techniques that were designed to trick the eye.  

Since that time, Hollywood backdrops have evolved. They still find their way into films by directors such as the Coen brothers, Robert Rodriguez, Quentin Tarantino, Jon Favreau and Steven Spielberg, just to name a few. But modern backdrops, more often than not, are digitally designed and printed. Today, scenic artists who understand hand-drawn and painted perspectives that transform two-dimensional spaces into three-dimensional worlds can be more difficult to find. 

Karen Maness, a lead instructor of scenic art at The University of Texas at Austin and the scenic art supervisor for Texas Performing Arts, is a national authority on the subject of Hollywood backdrop painting. In 2012, the Art Directors Guild for the motion picture industry chose Maness to interview and document some of its members whom she calls the “lucky last” — painters with knowledge of this art form who were working at the top of their industry in the final years of Hollywood motion picture backdrop painting. She conducted her interviews at J.C. Backings, a family-owned backdrop rental company, in the historic MGM Studios. It was here she first came into contact with hundreds of backdrops, many of which made their way into the book she co-authored, “The Art of the Hollywood Backdrop.” 

Two years after the book was published, Maness received a call. J.C. Backings was leaving the MGM scenic studio and releasing many famous and obscure film backdrops from their inventory. A race was on to preserve these pieces of film history

Texas Connect spoke with Maness about her 30 years of work as a scenic artist, her passion for recovering and preserving these historical backdrops and how she strives to instill students at The University of Texas at Austin with fluency in both digital and analog scenic art production. Some answers have been edited for clarity and length.

Karen Maness is a lead instructor of scenic art at The University of Texas at Austin and the scenic art supervisor for Texas Performing Arts. Photo by Melinda Sue Gordon/ADG Archives

What brought you to Austin after working in the industry in Los Angeles?

I moved here to run the scenic art studio at Texas Performing Arts. It’s funny; I had never worked a full yearlong contract before here. I had always signed 10-month contracts and then freelanced to make money. I went from saying, ‘Don’t lock me down, dude! It’s freaking me out!’ to being here for 20 years.

And I fell in love with teaching. In addition to teaching scenic art and figurative painting, I teach project-based classes as part of a program born here at Texas Performing Arts called Texas Applied Arts with my colleague J.E. Johnson. And now I just love this place. There’s so much potential here. What we have here is so precious.

What is the Backdrop Recovery Project?

I co-wrote a book on the history of backdrop painting for the Hollywood motion picture industry that came out in 2016.

From that research, I came to know the holdings of J.C. Backings, a backdrop company in Los Angeles, and the family’s connection and contribution to some of the most important scenic painting in Hollywood’s motion picture history. They were leaving the historic MGM space, and they were not going to hold on to all their backdrops. The company contacted the Art Directors Guild, and then I was contacted.

It suddenly became a mad rush to see what to do with the 207 pieces they were not keeping in their rental inventory.

How did you acquire 50 of these classic Hollywood backdrops?

Texas Performing Arts and the College of Fine Arts decided to support acquiring these as teaching assets.

I flew out to Los Angeles to be part of the opening and discovery process at a soundstage on the Sony Studios lot for the ADG Archives Backdrop Recovery Project. Some of the MGM backings had not been opened in over 30 years. There were backdrops from “Forbidden Planet,” from “Singing in the Rain.” It was extraordinary. The most famous ones we have here at UT are a full-sized copy of the Sistine Chapel backdrop from “Shoes of the Fisherman,” two from “National Velvet,” a beautiful cathedral interior from “The Student Prince” and many others from more obscure films. Each was selected as an excellent example of cinematic painting that’s specific to the camera.

If you had not recovered these backdrops, what would J.C. Backings have done with them?

They could have ended up like much of Hollywood history — abandoned in the dead of night and in a landfill. There have been thousands of these kinds of backdrops lost to history. The reason why they remained at all is because they were hidden in plain sight, rolled up and stacked onto high racks. When MGM divested its assets, much that could not be sold was dumped into dumpsters, but these backings were missed. When J.C. Backings moved into the MGM space, they purchased all of those MGM backdrops.

Those assets became part of their inventory, along with the backdrops they had purchased from 20th Century Fox and the hundreds they had painted over the years. They have an unbelievable collection — a treasure trove.

Their company is still very much intact, but they do photographic and digital backdrops now, not nearly as much painting, so they didn’t need all the space they had at MGM.

Texas Performing Arts and the College of Fine Arts acquired dozens of classic Hollywood backdrops from J.C. Backings. These massive pieces of art are now used to teach students painting techniques. Photo by Jen Reel, UT Austin College of Fine Arts

How did you choose which backdrops you specifically wanted at UT?

I tried as much as possible to bring paintings to UT Austin that were in the book since this is where the book was nurtured into existence. The finest and most historically relevant paintings went into the collection of the Academy of Motion Pictures Arts and Sciences. Some of the others went to the Gene Autry museum, Cobalt Studios in New York and Chapman University in Orange County.

What do these backdrops mean to you?

I love painting. I just love it. And now… I’m endeavoring to continue to teach this skill to the next generation. We have lost so much language of painting with the advent of printing. I mean, J.C. Backings, the company that gave us these paintings, is evidence of the evolution of the motion picture backdrop business. Most of their business is now digital and photographic printing. They’re using their family’s knowledge of painting to create highly effective translucent printed backdrops; they have a dynastic family of scenic artists and knowledge that goes back a hundred years in Hollywood. They used that knowledge to successfully pivot into this new age of media needs. As the work of motion picture scenic painting diminished, the opportunity to transfer this knowledge and practical experience of painting cloths hundreds of feet long was not passed onto the next generation.

I’m interested in teaching digital-analog fluidity. It is necessary for success in the 21st century. Those who know the analog side of painting will have a significant advantage if they know how to see, how to mix colors, and how to do the work physically.

What do they teach students?

Mike Denering (an industry colleague) told me, when we were acquiring these backdrops, ‘Everything you need to know about painting is in those backdrops. Deconstruct them, and then you could pass that knowledge on to another generation.’

It’s thrilling. So that is why I am opening up these paintings, to learn from lost masters and translate their deep knowledge to my students.

We’ve only just started teaching from the backdrops. The students are going from very foundational perspective drawings to now copying works of master artists of the high renaissance of backdrop painting — for the third painting ever done in their life.

The bar was beyond high. I’m happy to share what they did. They were stunning. And they all surprised themselves.

Why relationships matter to your life

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By Heather Gillin
Texas A&M University College of Education and Human Development

It turns out that it is, in fact, about who you know. According to Texas A&M University health education researcher Meg Patterson, who you are connected to can have huge impacts on your health and health literacy.

“So much of our research on health is about individual risk factors, things like ‘How often do you exercise, what is your race, ethnicity, income etc.,’” Patterson said. “But in reality, if you are not nested in the right network of people, it does not matter if you are perfect individually. On the contrary, you can have everything stacked against you, but if you are in the right network you can overcome anything.”

Patterson, an assistant professor in the Department of Health and Kinesiology, uses Social Network Analysis to learn more about health in populations. Social Network Analysis is a theory and method that reveals how things connect and how those connections are meaningful.

She conducted a review of research that used Social Network Analysis to assess college-aged adults’ health. She found that no matter the health topic, relationships had the power to generate positive or negative health outcomes. For example, the review included a study that analyzed international students in the United States and the people they spent their time with while abroad.

“Those that had networks that were more composed of their host country friends versus home country friends were less stressed, acclimated better and had less homesickness,” Patterson said. “Whereas, those that were connected with people from their home country felt more homesick.”

Another study pointed to a less surprising health outcome: Students who are connected to people who drink heavily are more likely to drink heavily themselves. Patterson said the key takeaway is that there is something protective about being connected to people. She said the more central a person is in their network, or more densely connected, typically the more protected the individual is.

“This research was college student health, but the literature outside of college student health supports that as well,” Patterson said. “Social belonging is good for us and overall, while there may be some aspects where bad things can diffuse through your networks too, generally speaking, we are happier and healthier people when we are well connected.”

She noted this could explain some health inequities that exist. Individuals that face disparities, like rural populations, can suffer negative health outcomes due to their difficulty to connect to others, such as health care practitioners. However, these individuals are not the only ones who have trouble connecting.

“We are existing in a time where social connection is not as easy as it used to be, especially in-person social connection,” Patterson said. “But being courageous enough and sacrificing your own comfort and energy to connect with people can translate to big, positive health outcomes.”

She said removing one person from a network changes the entire network as a whole. Therefore, making even just one connection with a person can impact you and those around you. Considering how connecting with people can have such a huge influence, Patterson said that health educators should utilize people as a health literacy asset.

“For health literacy, it is such an important thing to remember as researchers that we cannot expect to make someone more literate by handing them a pamphlet at a clinic, which has been a historical approach, especially for health education,” she said. “But really capitalizing on how people are learning what they learn and how people know what they know, it is really through who they are connected to.”

Patterson plans to continue using Social Network Analysis in her future research as a means to better understand populations and their health.

“Social Network Analysis is one way to tap into relationships and not only use it to learn more about health but also give us key intervention points to make our efforts more successful than they have been in the past, and hopefully make for a more equitable and literate population,” Patterson said.

Connecting with people can have a significant impact on health outcomes.

It turns out that it is, in fact, about who you know. According to Texas A&M University health education researcher Meg Patterson, who you are connected to can have huge impacts on your health and health literacy.

“So much of our research on health is about individual risk factors, things like ‘How often do you exercise, what is your race, ethnicity, income etc.,’” Patterson said. “But in reality, if you are not nested in the right network of people, it does not matter if you are perfect individually. On the contrary, you can have everything stacked against you, but if you are in the right network you can overcome anything.”

Patterson, an assistant professor in the Department of Health and Kinesiology, uses Social Network Analysis to learn more about health in populations. Social Network Analysis is a theory and method that reveals how things connect and how those connections are meaningful.

She conducted a review of research that used Social Network Analysis to assess college-aged adults’ health. She found that no matter the health topic, relationships had the power to generate positive or negative health outcomes. For example, the review included a study that analyzed international students in the United States and the people they spent their time with while abroad.

“Those that had networks that were more composed of their host country friends versus home country friends were less stressed, acclimated better and had less homesickness,” Patterson said. “Whereas, those that were connected with people from their home country felt more homesick.”

Another study pointed to a less surprising health outcome: Students who are connected to people who drink heavily are more likely to drink heavily themselves. Patterson said the key takeaway is that there is something protective about being connected to people. She said the more central a person is in their network, or more densely connected, typically the more protected the individual is.

“This research was college student health, but the literature outside of college student health supports that as well,” Patterson said. “Social belonging is good for us and overall, while there may be some aspects where bad things can diffuse through your networks too, generally speaking, we are happier and healthier people when we are well connected.”

She noted this could explain some health inequities that exist. Individuals that face disparities, like rural populations, can suffer negative health outcomes due to their difficulty to connect to others, such as health care practitioners. However, these individuals are not the only ones who have trouble connecting.

“We are existing in a time where social connection is not as easy as it used to be, especially in-person social connection,” Patterson said. “But being courageous enough and sacrificing your own comfort and energy to connect with people can translate to big, positive health outcomes.”

She said removing one person from a network changes the entire network as a whole. Therefore, making even just one connection with a person can impact you and those around you. Considering how connecting with people can have such a huge influence, Patterson said that health educators should utilize people as a health literacy asset.

“For health literacy, it is such an important thing to remember as researchers that we cannot expect to make someone more literate by handing them a pamphlet at a clinic, which has been a historical approach, especially for health education,” she said. “But really capitalizing on how people are learning what they learn and how people know what they know, it is really through who they are connected to.”

Patterson plans to continue using Social Network Analysis in her future research as a means to better understand populations and their health.

“Social Network Analysis is one way to tap into relationships and not only use it to learn more about health but also give us key intervention points to make our efforts more successful than they have been in the past, and hopefully make for a more equitable and literate population,” Patterson said.

Stress relief using environmental and lifestyle changes

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The trickle-down effects of stress can make you sick, give you a nosebleed and even stop your period. Often, people may have trouble recognizing and preventing stress, which can ultimately further increase their stress levels. Bradley Bogdan, LCSW-S, clinical social work supervisor at the Department of Psychiatry in the Texas A&M College of Medicine, explains some simple ways you can position yourself using your day-to-day routine and environment to reduce your stress levels.

Nature: Surround yourself with nature to help stress relief

A growing number of studies show visiting green spaces and being exposed to natural environments can reduce stress. “Natural-looking spaces have a big effect on minimizing stress and improving your overall health,” Bogdan said. “Simply viewing representations of nature helps reduce stress. Many hospitals often put a fake skylight above beds to create calming environments.”

For example, a new partnership between Houston Methodist Hospital, the Texas A&M University and Texas by Nature founded the Center for Health and Nature. The new center works to incorporate nature into healing environments.

If you are feeling chronically stressed, try to incorporate more nature-themed elements into your work and living space. Whether pictures, aquariums or greenery, elements of nature are proven to reduce stress levels.

Exercise: Find reliable, healthy ways to relieve stress

“Many people struggle to find healthy ways to discharge their stress,” Bogdan said. “Finding a reliable way to discharge stress is critical. You will never get rid of all stress. It will always be a factor, and people need to know how to control it day-to-day.”

Exercise is a great tool to regulate stress. “To help stress, you do not need much exercise. What matters the most is that you do it regularly, more so than strenuously,” Bogdan said.

Social connection: Utilize all members your social circle to encourage stress relief

“A regular amount of positive social interaction is important,” Bogdan said. “Different from those with whom you share a deep connection, a broad level of low-stake relationships is important to maintaining healthy stress levels.”

For example, you may speak your mail carrier every day for a few minutes, but you may not necessarily invite him or her to dinner. This regular, small positive interaction with someone does wonders for reducing stress. Bogdan says engaging in regular social interaction has great implications on relieving stress.

Professional help: Can therapy help me feel less stressed?

“A lot of the common modalities of therapy is focused on working with people to think a different way,” Bogdan said. “Not necessarily changing the facts, but reframing how they think about the facts.”

Many times, financial stress can make people feel stuck in a stressful situation. People may struggle to make ends meet, and they often struggle with that stress monthly. Therapy can help these people re-evaluate their financial priorities. Perhaps, they do not need that specific car. Or perhaps, they easily succumb to peer pressure and eat out too often for their budget.

Similarly, therapy can also help relationship stress. “People may feel entrenched in a push and pull within a relationship,” Bogdan said. “Certain relationships can cause an incredible amount of stress.” A common example is the amount of stress caregivers feel when taking care of others. Therapy can help the caregiver understand that the entire burden does not have to be placed upon them.

Other ways to manage stress

“Ultimately, to better manage your stress, you need to find stress coping mechanisms that work for you,” Bogdan said. “One of the biggest problems people face is they rely on poor coping mechanisms.” While stress eating or binge drinking alcohol may temporarily provide some stress relief, they do not solve the underlying issue. Likewise, they end up causing more stress in the long term.

Bogdan also recommends getting a healthy amount of sleep and practicing daily mindfulness and meditation. Both sleep and meditation can improve your concentration and regulate your mood, which will make you better able to cope with stress.

Am I stressed?

“The first step to reducing your stress is recognizing you are stressed,” Bogdan said. “Stress is hard to recognize. Many people need a health care professional to tell them their back pain or chronic headaches are a result of stress, not another issue.”

If you are unsure how much stress is too much stress, or are having trouble managing your stress, then speak with your health care provider. Most primary care providers may be able to help you manage stress through lifestyle changes. They can also refer you to a therapist, like a licensed social worker, for more specialized help.

Trees play a vital role in landscape design

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Trees like Texas A&M’s Century Tree play a vital role in Earth’s ecosystem and can help bring aesthetic and practical value to an area.

By Christina Lynne Davies
Texas A&M College of Architecture

Trees are great. The beautiful greenery, the sound of leaves rustling in the wind, and the way they stretch to the sky on a clear blue day seems to brings a sense of peace only Mother Nature can provide. On this Arbor Day, April 26, 2019, William ‘Chip’ Winslow, a landscape architecture professor at Texas A&M University, highlights the vital role of trees in the Earth’s ecosystem.

“The biggest things that trees provide for us are ecosystem services, which helps the entire environment,” Winslow said. “Many people don’t realize that not only do they give off oxygen, essential to our survival, but trees can help absorb water through their root systems.”

Heavy rainfall and flooding can cause devastating damage, but trees can help minimize such damage soaking up the water. As a part of wetlands systems, trees help reduce flooding by decreasing storm water runoff.

“If it’s the right tree in the right place,” said Winslow. “The services that trees bring, such as shade, add value to an area. When you get rid of a tree, you don’t get those anymore, so that value drops.”

This is especially true for older trees because they are the most difficult to replace.

Trees can attract tourists and serve in many different capacities, such as providing support for swings and treehouses or sheltering picnic areas, and more.

The aesthetic value that a tree provides can be just as important as its ecosystem services. And while aesthetics certainly aren’t vital to ecosystems, they are simply an added benefit.

Trees are clearly important. Yet it may be difficult to incorporate them into every architectural or landscape design. “Typically, in urban environments, trees are a good thing, but they often get in the way,” Winslow said. “People want their signs and storefronts to be seen and don’t want to deal with fallen leaves and branches, plus there is always ongoing maintenance to be done to keep a tree healthy.”

It can also be tricky to build around a tree or insert one into a certain place. Root systems are vast and can determine whether a tree lives or dies, so workers must be careful when trying to preserve or add a tree.

“When preserving a tree, the usual rule of thumb is to stay out of the tree’s drip line,” said Winslow. “You look at the extent of its canopy and draw a line straight down, and anything in that area you leave alone, and the tree has a much better chance of survival during the construction.”

To add one, workers must be attentive to give the tree and its roots adequate area to expand and grow, or the root system may be suffocated, eventually killing the tree.

Trees also need to be assessed for health. Some trees are stronger and healthier than others, so when doing construction around one, it is important to determine its likelihood of survival, regardless of the drip line. A design that incorporates a tree into the aesthetic is diminished by the death of the tree. A serious assessment of the tree’s health must take place before any kind of construction can begin.

Because of these considerations, trees are not always planted in dense urban areas. Even without trees, any design can be naturally enhanced.

“You can add planters and bring that landscape aesthetic to almost any environment,” Winslow said. “Small shrubs and plants are easy to maintain, and that aesthetic is still attractive to many people.” So, there are many ways to incorporate organic elements into designs.

One last thing to consider when deciding to implement a tree into a design is its history. Many cities have ordinances that forbid removal of trees over a certain size or “heritage” trees.

“These are the kinds of trees that are part of and belong to the community, not just the landowner,” said Winslow.

An example of this is Texas A&M’s Century Tree. Not only is it a large, aesthetically pleasing live oak, it also has become a central part of the tradition and culture of the university.

“Heritage trees like this one are part of the history of an area and certainly must be planned around,” Winslow said.

Including natural elements in landscape provide a multitude of benefits, aesthetic and practical. “Trees are pretty unique, though,” said Winslow. “They’re the one plant that can last for decades and even centuries, so we want to try to keep them.”

Why The Notre Dame fire affected us all

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Notre Dame Cathedral in Paris, France

By Sarah Wilson
Texas A&M University College of Architecture

The April 15, 2020 fire at the 850-year-old Notre Dame cathedral in Paris was met with disbelief and despair by people worldwide. Catholics mourned the damage to their sacred religious center during Holy Week, while others lamented the potential loss of a significant architectural landmark. Hundreds of thousands posted photos of their experiences visiting the cathedral on social media, while others anguished over never having seen the site in person.

Built between 1163 and the mid-1200s, Notre Dame was built to showcase the power of Paris as a political, intellectual, and spiritual center, according to Zachary Stewart, an assistant architecture professor and architectural historian at Texas A&M University who specializes in medieval gothic architecture.

Stewart had special access to Notre Dame during his Ph.D. studies at Columbia University, where he and a team documented the historic building with photos, digital scans and measurements, some of which could be used as part of the restoration efforts.

Why is Notre Dame historically significant?

“Notre Dame is an emblem of the city and has been for centuries,” Stewart said. “It was the first Gothic building that went to skyscraper heights and is where many of the elements that we associate with Gothic architecture and that era came together for the first time. It’s been a national symbol ever since.

What is its religious importance?

“As it is Holy Week, many Masses and liturgies were to be held in the church.” he said. “A cathedral by definition is the seat of a bishop, so it’s also a religious epicenter. To lose the mother church of a diocese, for many, is like losing a parent.”

How could this have happened?

“They’ve been doing some substantial renovation work this year,” Stewart said. “There was scaffolding across the outside of the church and equipment easily could have set off sparks of some kind. Historically, the fires in these buildings start in the roof, which is wood covered in metal sheeting. If any sparks get below the metal, it can burn.”

Can it be restored? How?

“There is a considerable amount of important sculpture inside the building, and important religious objects which could not be replaced if lost. Notre Dame is also famous for its stained glass, with multiple ornate rose windows, which is susceptible to breaking and high heat. You can’t restore that. It would have to be replicated.

“However, Notre Dame can bounce back with the right amount of funding and public enthusiasm. The most recent example was the French cathedral at Reims, which was destroyed in World War I and completely rebuilt, much of it with American money from John D. Rockefeller.”

Why does this event affect people emotionally?

“It’s been more emotionally affecting to me personally than I would have thought,” he said. “At first you’re grateful that no one was hurt, but then you start to feel like someone or something has died. One of my former professors said watching the video of it burning was like watching someone be flayed alive, and that resonated with what I was thinking as well. When you see these big, powerful buildings go up in flames, it reminds us all of how tangential life is.”

Tips for developing a workout habit at home

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By Rebecca Lee Salazar
University of Texas

Staying active while social distancing may look and feel different from your familiar go-to workout routine. The usual trip to the gym or group exercise class isn’t accessible in the way that it used to be, and these abrupt daily changes may cause different reactions and feelings to arise — including a lack of motivation. But skipping out on daily movement all together can hinder your health and well-being.

CieCie Leonard, assistant director for fitness and wellness at The University of Texas at Austin Recreational Sports, says that continuing or starting an exercise routine during this time is not only beneficial for your physical health, it can improve your mood and performance in class or at work. “Getting up and moving can help reduce any additional stress, pain or stiffness that may be occurring from being at home, and it can increase energy and focus levels, which helps you show up as your best self.” We asked her to share some tips on how to stay active and motivated during these challenging times.

1. Find the right fit.

Spend some time reflecting on what physical activities you enjoy doing. Do you prefer walks around your neighborhood or high-intensity workouts? Do you have the most time and energy in the mornings or the evenings? Figuring out what works best for you and what makes you happy will help you stay consistent. Don’t be afraid to try new things!

2. Develop a routine and structure.

Depending on your schedule and goals, set aside 5, 10, 45 or 60 minutes a day to get moving. Make an appointment on your calendar, set an alarm on your phone or keep a journal that will help you make this time a priority.

3. Set small and realistic goals.

Meet your fitness abilities where they are. If you’re just beginning, this isn’t the time to overexert yourself. Listen to your body and start at a pace that feels good. If you’re a seasoned fitness fanatic, don’t underestimate yourself. Write down your goals and review them often to stay motivated.

4. Satisfy your mental and physical needs simultaneously.

By being at home, you’re probably walking much less than you’re used to. Try to combat this by satisfying your mental and physical needs at the same time. Call a friend or family member while walking around your neighborhood.

5. Find an accountability partner.

Having someone who can keep you accountable is so important right now. Work out with a loved one over video chat, join an online fitness challenge or send encouraging texts to your workout buddies. Simple words of encouragement can make all the difference.

Ready to start moving? UT RecSports is offering fitness resources and releasing two new online TeXercise classes every week this spring semester. These workouts are easily accessible and can add some fun variety to your new workout routine.

However you choose to break a sweat, remember to grab some water and, most importantly, have some fun. It’s difficult times such as these when a little motivation and a lot of heart help us to keep moving.

Books: Journalism professor reveals less-known true crime tale in ‘American Sherlock’

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Author and journalism professor Kate Winkler Dawson. Photo by Paepin Goff

By Saba Rahimian
University of Texas

Kate Winkler Dawson, associate professor of practice at the University of Texas School of Journalism, listens to an audio snippet called “witchy fiddle,” an eerie strumming that takes the listener’s imagination down a cold, damp alley lighted by flickering gas lamps — or into foggy woods where an old, abandoned cabin sits, the front door slightly ajar. She says it’s one of her favorites from a list of 50 sound effects and audio samples produced for her upcoming true crime podcast “Tenfold More Wicked.”

Dawson is drawn to the eerie and crime-ridden in her writing career as well. Her debut into the popular literary genre of true crime, “Death in the Air: The True Story of a Serial Killer, the Great London Smog, and the Strangling of a City,” was published in 2017 and is a braided narrative about London’s biggest environmental disaster in 1952, political corruption and the rise of a serial killer named John Reginald Christie.

She wrote that first book while researching and sifting through boxes of evidence and thousands of letters pertaining to the subject of her second book, “American Sherlock: Murder, Forensics, and the Birth of American CSI,” which hits shelves Feb. 11.

“Writing a book is really difficult,” Dawson says. “I have to put myself on a pretty strict schedule. I tell myself, OK, I’m going to write 500 words a day, even if the words are garbage.”

Dawson is a seasoned true crime fan. She doesn’t like gore, she says, and almost nothing surprises her. An out-of-print encyclopedia, which she won’t name because she doesn’t want anyone else to use it, helps her find her subjects. This book lists America’s most infamous criminals and murderers, from the first who came over on the Mayflower to the criminals of the early 1970s. For Dawson, this encyclopedia of crime is nearly perfect because she says she is most attracted to history, politics and culture before the ’60s.

A famous train robbery that was completely botched caught her attention. The story ends with a murder and criminals who walk away with no money. But Dawson wasn’t attracted to the not-so-clever gangsters who tried to pull off the heist; instead, a character called American Sherlock caught her attention. Edward Oscar Heinrich was a forensic investigator whose work made headlines during the early 20th century.

“In my career it’s (about) one building on top of another,” Dawson says. “I don’t want to do another serial killer stuck in the fog book, but I love true crime. I was thinking, OK, what are the aspects I would really like to learn about? And I thought, well, I always loved forensics.”

Old newspaper articles revealed that Heinrich was a lead investigator and evidence expert called in to help solve several heinous crimes, and his work, though sometimes flawed, helped establish modern forensic science. Yet 100 boxes about his work had been filed away at a University of California, Berkeley, library without as much as a Wikipedia page written about him.

“He pulled dozens of forensic clues off of one pair of overalls (from the robbery) just using his microscope, which for him was common sense,” Dawson says.

Dawson’s love of true crime has been a lifelong fascination, she says. Her father was a law professor at UT Austin for 37 years, and her mother was a clinical psychologist. Both were interested in the criminal justice system.

“I like spookiness. I like being scared. Atmosphere. Gas lamps. All of that defines true crime to me,” Dawson says. “I would love to say it’s my intention to shine a light on society’s ills, which I do, but my first instinct is, I just want to tell creepy stories.”

Dawson says that her support system is vital to making her career ambitions and dreams of adventure a reality. As an author, audio and video documentarian, and professor, her philosophy, she says, is to work smarter, not harder.

“You know, balance is hard, and I’m lucky for two things,” Dawson says. “The first is I’m lucky that I’m married to someone who can support me as much as Jen, my wife, does. She’ll buy me turkey jerky online. She’ll buy me the phone thing for my car when it breaks the little arm on my windshield. She’s at home picking the kids up right now — she has a full-time job, too. She’ll do all the family stuff that has to be done so I don’t go crazy. So I can sleep an extra hour, and it allows me to travel so the kids don’t freak out.”

In addition to the support of her family, Dawson says the university has added value to her life and career.

“I’m for sure lucky to have this job at UT. It’s such a good, stable income. I have a good admin that supports me,” Dawson says. “I have the resources here — we have the best libraries — we have the best experts! I’m using two or three faculty members here for my podcast because they are the absolute best I can find.”

Austin professional cuddler aims to heal through touch

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Kristi Lippencott

By Madelyn Gee
Reporting Texas

Austin resident Kristi Lippincott was used to touching people physically through her massage practice. However, professional cuddling has allowed her to use her experience in touch to help others emotionally as well. 

Lippincott became the first licensed massage therapist to offer professional cuddling services in Austin when she started Austin Cuddle Commune in 2016, she said.

“I’ll call it therapy with hugs,” she said. “I am not a therapist, but it is very therapeutic.”

Lippincott’s business is part of a growing trend. Professional cuddling is becoming increasingly popular around the country. In the past 10 years, cuddling businesses have opened in  Georgia, New York and Texas. In 2015, there was even a national cuddling convention in Portland, Ore.

Lippincott provides one- to five-hour cuddling sessions for about $80 an hour. 

Lippincott’s platonic cuddle sessions include more than physical touch, incorporating activities such as reading, lying down, or playing games. 

“I will ask you questions and guide you in order to customize your session to help you be comfortable, relaxed and feeling this sort of love a mother gives her child,” Lippincott said. 

To become a listed practitioner for the international cuddling organization Cuddlist, a cuddler must complete a $149 online training course. The training takes about 30 hours “if one really focused on it,” Cuddlist Co-Founder and Director of Training Madelon Guinazzo said.  To become a Cuddlist-certified cuddler, practitioners must submit feedback from clients and talk to a Cuddlist mentor. Certification costs $249.

The code of conduct for Cuddlist  requires the client and practitioner be 18 years old and that the cuddling session remain strictly platonic with no genital touching or exchanging of bodily fluids. 

Payment for sessions is handled between the client and practitioner directly. Payment is usually taken in cash, according to California-based professional cuddler Kat Demille.

Demille, whose resume includes burlesque dancer and sex expert, says there are rules and emotional checks that must be made before diving into the field. In her busiest years, she has had between 20 to 30 clients.

Demille says that clients seeking cuddling services are often struggling emotionally and that it is important for practitioners to maintain positive energy.

“The reason you have to feel the best possible is because you are going to be around people who don’t in some way or another,” Demille said. “You have to be strong enough to maintain your frequency of energy around these people.” 

Demille says people in search of cuddling services fall into different categories — those who are cheating on a partner, those who are not cheating on a partner, those who believe they are not good enough for a relationship, business people who travel too much for a relationship, and women who simply want someone to hold and love on. 

Most clients are men, Demille said. 

Clear rules regarding consent and respect are extremely important in the profession, Demille said. 

“Cuddling is more about tenderness, it is more about needing some type of physical contact that is non-sexual in nature. I am always very clear that I am not a prostitute but I never judge the people who need that,” Demille said. 

Potential clients sometimes see professional cuddling as synonymous with prostitution, and while there is no judgment for those who do want those services, professional cuddling is far from prostitution, Lippincott said. 

While cuddling is considered an intimate act, there are steps taken to avoid any sexual interaction by conducting sessions in a separate location away from the practitioner’s home, like an office or hotel room, Demille added. 

“You will have guys that try to turn it into something sexual. Try to accidentally touch you or start talking dirty or try to kiss you on the lips,” Lippincott said. “There are going to be guys that push the boundaries, so you’ve got to be really strong. You’ve got to lay down those rules, which is why I have a contract that they have to sign.” 

Lippincott makes sure that a third party knows about cuddling  appointments to ensure safety and that no information about the client will be shared outside of the session

If one of these rules is broken, the session is immediately over and there are no refunds. There is no judgment for those looking for a sexual relationship, but that is not what Lippincott and other cuddlers provide, Lippincott said. 

Boundaries for client and practitioner are made clear in an opening agreement. They both verbally acknowledge that they will take responsibility for their actions, speak up when they are uncomfortable, and make each of their wants and needs known.

The physical and emotional benefits of cuddling can be seen on a psychological and even neurological level, according to clinical psychologist Carla Manly, who is based in Santa Rosa, Calif. 

Cuddling releases hormones that positively affect the body, including oxytocin, and decreases debilitating hormones in the body such as stress and adrenaline, Manly said.

“Oxytocin levels rise, making us feel a sense of love and being loved,” she said.

“Neurobiologically, we are diminishing the stress hormones, increasing the oxytocin as well as generally increasing dopamine and serotonin levels,” Manly added. 

The COVID-19 pandemic has led to cuddlers around the country having to adapt their practices.  Some now offer socially distanced walks as a replacement for cuddling as well as masks for in-person sessions. Lippincott has plans to use Zoom for online cuddle sessions and outdoor meetings. 

Despite current parameters, cuddling has formed a community of people connected by touch, Lippincott said. 

“You still have somebody that is letting you know ‘You are OK. I care about you and I am interested in whatever you have to say and showing up for you in whatever way you need and want,’ ” Lippincott said.  “I can’t believe that I get paid to do this because it’s so fulfilling for me, and I help people. So it’s pretty amazing to be trusted,” Lippincott said.